Corset and corsetry from Pandoraschoice

Corsets in both under bust and overbust with lace up backs and modesty panels in the corsetry style of the 1920s,1930s,1940s and 1950s. Classic moulin rouge corsets with optional detachable suspender straps on the What Katie did corset range . Pandoraschoice also supplies Angels Carrying Savage Weapons bespoke hand made corsets. See the Angelic weapons corset range.

Womens corset construction

Corsets are typically constructed of a flexible material (like cloth, particularly coutil, or leather) stiffened with boning (also called ribs or stays) inserted into channels in the cloth or leather. In the 19th century, steel and whalebone were favored for the boning. Featherbone was used as a less expensive substitute for whalebone and was constructed from flattened strips of goose quill woven together with yarn to form a long strip (Doyle, 1997:232). Plastic is now the most commonly used material for lightweight corsets, whereas spring or spiral steel is preferred for stronger corsets. Other materials used for boning include ivory, wood, and cane. (By contrast, a girdle is usually made of elasticized fabric, without boning.)

The craft of corset construction is known as corsetry, as is the general wearing of them. Someone who makes corsets is a corsetier or corsetière (French terms for a man and for a woman, respectively), or sometimes simply a corsetmaker. (The word corsetry is sometimes also used as a collective plural form of corset.)

Corsets are held together by lacing, usually (though not always) at the back. Tightening or loosening the lacing produces corresponding changes in the firmness of the corset. Depending on the desired effect and time period, corsets can be laced from the top down, from the bottom up or two laces were used to lace up from the bottom and down from the top to meet in the middle. It is difficult — although not impossible — for a back-laced corset-wearer to do his or her own lacing. In the Victorian heyday of corsets, a well-to-do woman would be laced by her maid, and a gentleman by his valet. However, many corsets also had a buttoned or hooked front opening called a busk. Once the lacing was adjusted comfortably, it was possible to leave the lacing as adjusted and take the corset on and off using the front opening (this method can potentially damage the busk if the lacing is not significantly loosened beforehand). Self-lacing is also almost impossible with tightlacing, which strives for the utmost possible reduction of the waist. Modern tightlacers, lacking servants, are usually laced by spouses and partners

Corset Waist reduction

By wearing a tightly-laced corset for extended periods, known as tightlacing, men and women can learn to tolerate extreme waist constriction and eventually reduce their natural waist size. Tightlacers usually aim for 40 to 43 centimeters (16 to 17 inches) waists. Until 1998, the Guinness Book of World Records listed Ethel Granger as having the smallest waist on record at 32.5 centimeters (13 inches). After 1998, the category changed to "smallest waist on a living person" and Cathie Jung took the title with a 37.5 centimeters (15 inches) waist. Other women, such as Polaire, also have achieved such reductions.

These are extreme cases, however. Corsets were and are still usually designed for support, with freedom of body movement an important consideration in their design. Present day corset-wearers usually tighten the corset just enough to reduce their waists by 5 to 10 centimeters (2 to 4 inches); it is very difficult for a slender woman to achieve as much as 15 centimeters (6 inches), although larger women can do so more easily.

Corset comfort

In the past, a woman's corset was usually worn over a garment called a chemise or shift, a sleeveless low-necked gown made of washable material (usually cotton or linen). It absorbed perspiration and kept the corset and the gown clean. In modern times, an undershirt or corset liner may be worn.

Moderate lacing is not incompatible with vigorous activity. Indeed, during the second half of the nineteenth century, when corset wearing was common, there were sport corsets specifically designed to wear while bicycling, playing tennis, or horseback riding, as well as for maternity wear.

Many people now believe that all corsets are uncomfortable and that wearing them restricted women's lives, citing Victorian literature devoted to sensible or hygienic dress. However, these writings were most apt to protest against the misuse of corsets for tightlacing; they were less vehement against corsets per se. Many reformers recommended "Emancipation bodices", which were essentially tightly-fitted vests, like full-torso corsets without boning. See Victorian dress reform.

Some modern day corset-wearers will testify that corsets can be comfortable, once one is accustomed to wearing them. A properly fitted corset should be comfortable. Women active in the historical reenactment groups (such as Society for Creative Anachronism) commonly wear corsets as part of period costume, without complaint

Modern Corset History

The corset fell from fashion in the 1920s in Europe and America, replaced by girdles and elastic brassieres, but survived as an article of costume. Originally an item of lingerie, the corset has become a popular item of outerwear in the fetish, BDSM and goth subcultures.

In the fetish and BDSM literature, there is often much emphasis on tightlacing. In this case, the corset may still be underwear rather than outerwear.

There was a brief revival of the corset in the late 1940s and early 1950s, in the form of the waist cincher sometimes called a "waspie". This was used to give the hourglass figure dictated by Christian Dior's 'New Look'. However, use of the waist cincher was restricted to haute couture, and most women continued to use girdles. This revival was brief, as the New Look gave way to a less dramatically-shaped silhouette.

Since the late 1980s, the corset has experienced periodic revivals, which have usually originated in haute couture and which have occasionally trickled through to mainstream fashion. These revivals focus on the corset as an item of outerwear rather than underwear. The strongest of these revivals was seen in the Autumn 2001 fashion collections and coincided with the release of the film Moulin Rouge!, the costumes for which featured many corsets as characteristic of the era.

Similarly other films have used these garments as costume features, generally to suggest a period effect, as in Van Helsing where Anna Valerious (Kate Beckinsale) wears an ornate underbust corset as part of her costume. Sometimes this is used for humorous purposes, as when in Pirates of the Caribbean: The Curse of the Black Pearl Elizabeth Swann (Keira Knightley) almost suffocates from wearing a tight corset. One distinctive feature has been to portray them in combination with catsuits, as in Star Trek: Voyager where Seven of Nine (Jeri Ryan) throughout the series wears catsuits with contained built-in corsets, or Underworld, where Selene (Kate Beckinsale) wears a black leather corset over matching latex catsuit.

The majority of garments sold as "corsets" (or sometimes "corset tops") during these recent revivals cannot really be counted as corsets at all, in the traditional sense of the word. While they often feature lacing and boning and generally mimic a historical style of corsets, they have little or no effect on the shape of the wearer's body; traditional corsets generally require custom fitting by a tailor who specialises in corsetry.

Potential benefits of Corsets

Corsets promote good posture.

Corsets can reduce pain and improve function for people with back problems or other muscular/skeletal disorders, such as Lordosis.
Some large-breasted women find corsets more comfortable than brassieres, because the weight of the breasts is carried by the whole corset rather than the brassiere's shoulder straps. Straps can chafe or cut the skin. However, if a bra is properly fitted, the weight of the breasts is carried by the band and not by the shoulders, thus eliminating this problem for even women with very large breasts.
Some large-breasted women find some corsets more comfortable and practical than brassieres, because a corset can support the Lordosis in back (a common balance problem on large-breasted women), and because the shoulders are free. And some find the broad-shoulder straps on big brassieres unsightly.
Corsets can give a straight masterful posture.
The straight posture accentuates the bosom.
Corsets can instantly reduce the waistline by 5-10cm (2-4").
Corsets can spread the weight of big gowns.
The corsets can show social status, as the corset-wearers are different from other people. In the old days, the upper-class wore corsets to demonstrate distinction from lower classes. Today, some subcultures wear corsets to be opposite to the conformity.
Some corset-wearers enjoy the feeling of being "hugged" by the corset.
Due to their tightness and close proximity to the body, corsets can make the wearer feel very warm. They have historically been worn in cooler climates.
Some corset-wearers believe the shallow breathing imposed by the garment may charm men.

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